Can art spaces that eschew commercial activity truly sustain themselves without succumbing to corporatization?

INTERVIEW ─ Outgoing Artistic Director Jonathan Crow joins Cannopy for an exit interview before another violinist takes First Chair

For this installation of DECA—our inter-issue series inviting artists to curate top-ten lists—Alex Kaplan shares 10 albums she’s excited to hear on vinyl this spring.

The Scottish composer, producer, and cellist rediscovers simplicity with his latest self-titled album

INTERVIEW — The Toronto-based multi-instrumentalist on his unique mixology of Indigenous and pop idioms

Our DECA series invites artists to curate a list of their top-10 influences

What happens in Debussy, and in Moccio’s music, is not a direct mimetic relationship of sounds to images but an open mesh of possibilities

INTERVIEW — As a trio of fall exhibits wrap up, Michael Nicoll Yahgulanaas reflects on the powers of hybridity

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INTERVIEW — Sam Beam’s latest release is a colourful contrapposto of gloomy joy

INTERVIEW ─ The Canadian folk artist joins “A Cannopy Salon” for a spotlight on his latest album

INTERVIEW ─ On their sixth studio album, The Head and the Heart looks back in order to move forward

INTERVIEW ─ Where other filmmakers worry you may take something away from their work that they did not intend, the Winans’ are asking you to do so.

“I rarely need to explain myself: this is a blue elephant, he wears a cylinder and smokes a pipe ─ what is unclear here?”

Listen along with a free 30-day subscription to the world's largest catalogue of classical recordings

The prolific street photographer reveals perspectives on Toronto, Tokyo, and time

“To have chosen to work with a female producer simply because she was a woman would have risked the integrity of the project.”

Carina Harford on the “luxury of immediacy”

INTERVIEW — With the recent releases of fastLOVE and Longing, the Canadian actor looks back on the films that helped shape his appetite for cinema

What does support for independent Canadian contemporary dance really look like?

PROFILE ─ Miguel Gomes’s latest film is a sprawling, messy, and dreamy odyssey that isn’t afraid to throw a few curveballs.

INTERVIEW ─ On his latest release, “Under a Familiar Sun”, Sam Beste delivers a deeply empathic pianistic jazztronica

INTERVIEW ─ On La femme aux yeux de sel, the emerging singer-songwriter delivers a melange of global music with a French touch

The generational Canadian talent sets self love to music

INTERVIEW — Meet the Pakistani-American painter infusing her female figures with a unique stain: black tea

Contextualizing Sean Baker’s latest film within cinema’s history of sex-positive self-actualizing female leads

The superstar Chinese pianist uncovers a garden of Gallic delights

“If you don’t know him, try. If you don’t like him, that’s ok too.”

“How would my younger self feel listening to this?”

INTERVIEW — “Living in a nation that relies on tourism has convinced people that looking ‘less Black’ is more tolerable.”

As Toronto’s Sterling Road evolves into a vibrant creative hub, its resident museum-cum-gallery space stays ahead of the curve with innovative exhibits

INTERVIEW ─ In an aesthetic ecosystem that favours monotone greys, this UK artist is bringing sexy back with bold colours

INTERVIEW ─ On his latest record, “Our Calling”, the British-Italian artist joins Ballaké Sissoko to create an indelible mix of Euro-African folk traditions

A 27-disc box set delivers a life’s worth of music to a new generation of listeners

INTERVIEW — On her latest EP, At Least I Tried, Fell swoops into new depths of introspection

INTERVIEW — A complicated portrait of William Kentridge plays out in this 9-part series presented by MUBI

Without being overly verbose, Kiwanuka walks the line between being a narrative storyteller and purveyor of proverbs

INTERVIEW — Artistic Director Kevin Loring weighs in on performative land acknowledgements

INTERVIEW — Robyn Graham clears space for quiet art

On his latest EP WHAT HAVE I ‘DON, Bob Marley’s grandson lays the foundation for his own reggae sound