Spaces

13.23 | Ss | Kachelle Knowles

INTERVIEW | “Living in a nation that relies on tourism has convinced people that looking ‘less Black’ is more tolerable.”

14.42 | Ss | What is a Studio?

INTERVIEW | William Kentridge, the eminent South African painter and star of Self-Portrait as a Coffee Pot, weighs in

14.27 | Sp | MOCA Fall 2024

These artists are spotlighting what it means to challenge the current cultural moment

14.5 | Mt | BODY: Cassils

INTERVIEW | “What better way to push for trans presence and historical archives than to burn images of trans people into the eyes of cis beholders?”

FACETIME: Kachelle Knowles

NASSAU | “Living in a nation that relies on tourism has convinced people that looking ‘less Black’ is more tolerable.”

Is the studio a public place?

William Kentridge, the eminent South African painter, answers

13.23 | Ss | Kachelle Knowles

INTERVIEW | “Living in a nation that relies on tourism has convinced people that looking ‘less Black’ is more tolerable.”

14.42 | Ss | What is a Studio?

INTERVIEW | William Kentridge, the eminent South African painter and star of Self-Portrait as a Coffee Pot, weighs in

14.27 | Sp | MOCA Fall 2024

These artists are spotlighting what it means to challenge the current cultural moment

14.5 | Mt | BODY: Cassils

INTERVIEW | “What better way to push for trans presence and historical archives than to burn images of trans people into the eyes of cis beholders?”

Spaces

11.21 _ 13. Xavier Dolan by Shayne Laverdière.jpg

A MOCA Retrospective: In Conversation with Michael Nicoll Yahgulanaas

Visual Arts

Spaces

These artists are spotlighting what it means to challenge the current cultural moment

Designing the Hayao Miyazaki exhibit at The Academy Museum.

When Art Goes Up, Walls Come Down

How the celebrated artist appropriates Western styles of portraiture for new perspectives on Indigenous identity

"Art history is also a history of technology development."

How Russia's invasion of Ukraine prompted Valeriy Kostyuk to take action through art

IVG Creative Director

A Fresh Perspective for Toronto'sTightly Knit Art Community

On the Border Between Artistic Bravery and Bravado

"There's a little bit of something for everyone."

Executive Director of Hyde Park Art Center

How a Mural Festival is Transforming Calgary's Concrete Jungle

MoCA's take on contemporary art

Getting rejected by this gallery just might be a good thing

Fowl play is encouraged in this unique gallery experience

Executive Director of Root Division

An Exhibit Fit for a Larger-Than-Life Activist

Executive Director of Art ontheMart

Our artists and institutions are expected to stand up and speak out towards injustice."

How an innovative concept traded curatorial neutrality for a cohesive and socially responsible exhibit

How can something as active as dance be contained in a still?

Swiss artist makes her North American debut at Toronto's Power Plant

Separating tall tales from truth in the case of van Gogh’s ill-fated ear

Enter the Showstoppers! exhibit, and meet the costumiers of New York City

The Oakland Museum of California Delivers a Defiant Feminist Narrative

“If you do something that can get ignored, it gets ignored”

Welcome to the “smallest museum in the world” at The Forestay Museum of Art

How the Ukrainian Cultural and Educational Centre has been preserving the country’s collective memory since 1944

An exploration of the semiotics of clothing, gaze, and black expression.

Meet the Cultural Director of the San Francisco Arts Commision

Meet the Creative and Executive Director of San Francisco's SOMArts

Materials

BODY: Cassils

INTERVIEW | “What better way to push for trans presence and historical archives than to burn images of trans people into the eyes of cis beholders?”

How floral sculptures open the door to the “third place”

Pottery as a Mix of Clay, Monotony, and Spontaneity.

“To see is to forget the name of the thing one sees.”

How can galleries make more space for less conventional media?

From kindling to kiln, how ceramics become wearable art installations

Studio Sessions

INTERVIEW | “Living in a nation that relies on tourism has convinced people that looking ‘less Black’ is more tolerable.”

Phantom Details: Agata Wierzbicka

“If you want to create and you have such a strenuous need, it won't matter to you if you have a large or small studio”

Self-Portraiture and Healing

Before the Invasion

Towards a new visual perspective on the global African diaspora

From Bunny Rabbits to Bomb Shelters, an Illustrator Turns Activist

INTERVIEW | William Kentridge, the eminent South African painter and star of Self-Portrait as a Coffee Pot, weighs in

The Ukrainian artist contrasting the hyper-masculine imagery of the war with harmonious female figures

My works are more a portrait of myself than the model

Toronto artist with a unique take on portraiture

Hiding in plain (and colourful) sight

Oil, Wood, and Linens by the Countryside

NASSAU | “Living in a nation that relies on tourism has convinced people that looking ‘less Black’ is more tolerable.”

Artist; Community Leader

Botticelli meets Black Girl Joy

An emerging portraitist in search of new postures and perspectives on the African continent

Toronto vs. New York: From a Painter's Perspective

Destabilising Chinatown Narratives with Text and Embroidery

William Kentridge, the eminent South African painter, answers

"How can I even make art now?"

Celebrating the life of an Indigenous Artist

Welcome to our inter-issue series inviting artists to curate top-ten lists

A Toronto Artist Traces Family and Memory in Latest Exhibit

Painting the Climate Crisis into Each Precious Detail

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